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It’s not until Stacy, under the advice of her coworkers Ira and Barb, decides to interview Lulu for the Kippy Kan Live Show under false pretenses that she learns that what Derek told her wasn’t true. Two, a major red flag in their relationship begins this search for the truth within Stacy. One, Stacy appears very naïve and wants to give Derek the benefit of the doubt. This moment in the film is alarming for two reasons. Derek, feeling frustrated, immediately tries to end the conversation by telling her he and Lulu had “problems in bed” just to get her to stop worrying. “You don’t care to explain further?” Stacy says. For example, in the scene where Stacy is studying old footage of the Kippie Kann Live, which includes an interview featuring a supermodel named Lulu Fritz, Derek reveals he and Lulu used to date but is reluctant to answer Stacy’s questions. Derek’s actions ignite Stacy’s speculation of Derek’s past and who he’s been with. Derek and Stacy are both the central focus of this conflict. Hurran’s film makes the audience see how these two concepts blur together. Meanwhile, privacy is deciding to keep something to yourself for the sake of protection. Secrecy is when you are withholding information that you know can cause harm and will come with consequences.

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By depicting that there’s a fine line between secrecy and privacy, that insecurities can damage relationships, especially with today’s obsession with social media, and how reality TV manipulates its audiences through pain and turmoil, Little Black Book is a romantic comedy that is more relevant today.ĭirector Nick Hurran emphasizes how there is a thin line between secrecy and privacy in relationships. And with social media being a major factor in our world today, I find the film has more in common with modern audiences. However, I feel the film does have a point or two regarding deception around relationships. Upon its release, the film received negative reviews due to its poor script and how problematic Stacy Holt is, despite Brittnay Murphy delivering a good performance. By using her journalistic skills incredibly irresponsibly, she interviews his exes under the assumption they are being interviewed to appear on television and finds out more than what she would like to know. This triggers Stacy’s insecurities and sends her down a rabbit hole to discover the truth. However, he tells her that he isn’t open to talking about his past relationships and doesn’t like to bring girls home to meet his folks. Late actress Brittany Murphy plays Stacy Holt, a vibrant young woman who begins a career in broadcast journalism and is in a long-term relationship with Derek (played by Ron Livingston), who at first appears to be a great boyfriend. Ironically, it’s also similar to the plotline of the romantic comedy film Little Black Book (2004).

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In hindsight, you realize finding out the truth, as ugly as it is, eventually does set you free since deep down you probably knew all along that the person you thought was going to be your forever is not your forever person. It’s a story many people are familiar with, where their dreams of a happily ever after are cut short. Not only that, but you found out about it by coming across inappropriate text messages on your person’s cellphone. Somebody who you thought would be “your forever.” The next day, you learn that your significant other is seeking attention from someone else. One day, you are planning to marry someone you love. It’s not a fun place to find yourself in. To be blunt, being cheated on, manipulated, or just flat-out deceived in a relationship sucks. Ted's Evaluation - 3 of 3: Worth watching.“Omissions are betrayals” – Barbra Cambell-Done (played by Holly Hunter in Little Black Book)

Only the means for telling the story matters.

In nearly all movies, the story isn't important anyway.

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Whether you like the 'message' or not, I recommend this as a crack piece of screen writing.

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The easiest way to do that is to create an audience as part of the story, then trick the movie audience to fold into the story's audience. If you want to make an engaging movie these days, you have to engineer a means to get the audience into the story. She does it rudely that's just her style. Holly has done this kind of folded acting before - 'Timecode' comes to mind. The thing is anchored in the movie by Holly Hunter and in the show within by Holly's character. Don't you mind that think of this as another in the genre of movies that start out being simple stories and turn into movies about movies, not by digging deeper in the layer but by bringing the original movie into 'reality.' This one really impressed me with the cleverness of its construction it unfolded in completely novel and unexpected ways. This gem didn't do well at the box office because audiences couldn't make the connection between meanness and romantic comedy.

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